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Received 09.08.2023

Revised 10.10.2023

Accepted 24.12.2023

Retrieved from Vol. 26, No. 2, 2023

Pages 122 -125

  • 285 Views

Suggested citation

Us, M. (2023). The activities of the holy fathers in establishing the spiritual traditions of orthodox singing. Pedagogical Sciences, 6(2), 122-125. https://doi.org/10.33989/2524-2474.2023.82.295114

The activities of the holy fathers in establishing the spiritual traditions of orthodox singing

Mykhailo Us

Abstract

In the modern world, there is a problem of the young generation’s loss of spiritual landmarks, which is manifested in the dominance of pragmatism, focus on obtaining material goods, indifference to the feelings of other people, including loved ones. Education of moral qualities of an individual cannot be effective if all social institutions are not involved in it: family, school, cultural institutions, church. Nowadays, the importance of religious education is gaining a high status in the domestic society - children and teenagers get used to attending church, study in Sunday schools, where they participate in choir singing. Musical spiritual works today are not limited to church life, but are included in the repertoires of singing groups of general secondary and primary music education institutions, are offered for listening to music at school, etc. [8]. The urgent task of preserving the traditions of Orthodoxy in its competition with the Catholic and Uniate influences on the Ukrainian community determines the special interest of teachers and scientists in the educational possibilities of Orthodox music

Keywords:

holy fathers; religious music; dogmatics and religion; Orthodox worship

References

[1] Afonina, O.S. (2012). Polyconfessionalism as a feature of modern Ukrainian sacred music. Actual Problems of the History, Theory and Practice of Artistic Culture, 28, 212-220.

[2] All Prayers to Saint Athanasius the Great. (n.d.). Retrieved from https://k-istine.ru/orationem/orationem-350.htm.

[3] Archbishop, P. (1995). Historical overview of the hymnographers and hymns of the Greek Church. Reprint Edition. Holy Trinity Sergius Lavra, 282-283.

[4] Dymytrov, Y.Zh. (n.d.). Exapostilary or Svetilen. Retrieved from https://draganbachev.com/2021/02/17/%D0%B5%D0%BA%D1%81%D0%B0%D0%BF%D0%BE%D1%81%D1%82%D0%B8%D0%BB%D0%B0%D1%80%D0%B8%D0%B9-%D0%B8%D0%BB%D0%B8-%D1%81%D0%B2%D0%B5%D1%82%D0%B8%D0%BB%D0%B5%D0%BD/.

[5] John Damascene. (n.d.). An accurate exposition of the Orthodox faith. Retrieved from https://parafia.org.ua/biblioteka/svyatoott-sivski-tvory/ioan-damaskin-tochnyj-vyklad-pravoslavnoji-viry/.  

[6] Muravska, O.V. (2017). The Eastern Christian paradigm of European culture and music of the 18th – 20th centuries: Monograph. Odesa: Astroprint.

[7] Rostovskyi, O.Ya. (2003). Lectures on the history of Western European music pedagogy. Nizhyn: Publishing House of NDPU.

[8] Skaballanovych, M.N. (2004). Explanatory Typikon: Explanatory presentation of the Typikon. Moscow: Sretensky Monastery Publishing House.

[9] Ukrainian Sacred Music: A textbook for students of pedagogical universities. (n.d.). Retrieved from https://ukrspiritmuz.net.ua/index.html.  

[10] Wellesz, E.J. (1961). A history of byzantine music and hymnography. Oxford: Oxford University Press.

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